Charpente des Fauves

Residency showing · Archives 2025–2026

La Cygnesse d'Ébène

Clara Dahlie

Research and creation — immersive musical and visual performance

Accessibility — reduced mobility

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About

In the wake of MIRACLES DES OMBRES (November 2024), Clara opened a new cycle of research and creation at La Charpente des fauves: beginning the production of a first album.This first phase unfolds in solitary — writing, composing, experimenting — in order to shape a world where sounds, textures and images interlacing. The search anchors in a resolutely electronic palette, oscillating between softness and saccades. Led by such landmarks as FKA twigs (audience, voice/body organicity) and Lana Del Rey (Lyric melancholy, meaning of narrative), the approach crosses R&B, soul, pop, electro and hyperpop. The objective: to create an immersive, intimate and bold work, where the voice remains the guiding thread. Around it are contrasting textures, grooves that are sometimes velvety, sometimes percussive, and a careful stage imagery that prolongs the music on stage. The imagination of this project is also rooted in the artistic heritage of his grandmother, Helga Schlitter, a Mexican sculptor and Mosaïst, whose art of colours and forms inspires artistic direction. Employees will be able to join the process according to the availability and evolution of the work.