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About
Dive into the heart of intimate artistic exploration during the 5th to late at La Charpente des fauves, spontaneous events where each corner of the place simmers with performances on site, innovative digital experiences, eclectic conversations and artistic installations. Artists, sharing their work in progress, create an immersive atmosphere where the boundaries between spectator.trix.s and creator.s are blurred. La Charpente des fauves is transformed into a dynamic ecosystem, inviting the community to meet, share and celebrate the light of creativity. A must-see event where every corner of space is invested for a memorable collective experience. La Charpente des fauves offers for a second consecutive year of the micro-residences that will be presented at the event. Here are the artists in residence: Nervosa: invisibility and overflow ► Theatre Formal exploration of a theatrical text, Nervosa: invisibility and overflowing places the link between food restrictions and desire. What do these effacements say? Combining interpretation and visual research, this laboratory uses "fail" as a stage material. This work addresses eating behaviour disorders in a non-documentary artistic approach. Humanly charged ► Research and creation: scenographic installation Humanly charged is a phase of research and exploration, on the human experience of the *system* and the judicialization. It is a sensitive proposal that highlights and highlights testimonies, plural narratives evoking the concepts of the erasure of the unique identity, of a "before" and "after" the criminal record, of identity reconstruction and the social role of punishment. It's a challenge.
Credits
Nervosa: invisibility and overflow ► Doriane Lens-Pitt / team to be determined Humanly charged ► Frédérique Zubrzycki
Biographies
Doriane Lens-Pitt Driven by the multidisciplinary theatre, Doriane is interested in the interaction between the visual, performing and dramatic arts. She is part of the 2022 promotion of the Conservatoire d'art dramatique de Montréal. During her studies, she received a scholarship in interpretation from the Hnatyshyn Foundation. When she was released, she was an actress for the Théâtre la Roulotte, performed Salope in Sucré Seize and took part in La Jeune troupe du Quat'sous. In Fanny de Rébecca Déraspe, she plays the role of Alice. First presented at the Théâtre du Bic and Sherbrooke in 2024, the play was on tour in Quebec, passing through La Bordée (2025) and La Licorne (2026). In parallel with her performing approach, she has multiple experiences of observing rehearsals and participates as a stage director in the first edition of the collective We Are here. This year, she will be a production student at the Conservatoire de Québec. Frédérique Zubrzycki Frédérique Zubrzycki is an emerging and ethnologist-educated scenographer. Having graduated from the Conservatoire d'art dramatique in 2026, she has a first project as an artist that combines some of her passions: research, investigation and creation. From museum, heritage and theatrical backgrounds, she develops a practice that mobilizes art and experience to popularize and disseminate tangible realities.